Friday 11 October 2013

Tip #339: Revelations & twists

When... critical information is woven into the story in a way that feels like it’s doing something else in the story, readers, in general, both miss it and remember it when you reveal that it was actually important. If you just mention it without it appearing to do something important, readers wonder why it’s included and are more likely to remember it.
http://www.aisteach.com/blog/?p=1127


What makes the revelation so effective is not that we’ve been waiting for it, but that we never actually suspected it was there to begin with (although of course it was carefully set up for us from nearly the beginning of the film*).
http://www.annleckie.com/2013/09/05/basis-suspense/


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