you can really mess with the reader by choosing the right point of view... some peoples' perceptions are really off.
http://blog.patrickrothfuss.com/2012/08/the-story-board-episode-1/
you can really mess with the reader by choosing the right point of view... some peoples' perceptions are really off.
how close you are to the action, what you allow your reader to see vs. what is left out, what you linger on narratively, the speed through which you move through the action. . .This all affects the reader's perception and mood.
If you’re just getting to know a narrative world you’re creating, think of yourself as a camera moving through the action, and try to write down as much of what you see as you can. Then, after some time has passed, look at that piece of writing again, and edit down the details so that they serve the primary story you want to tell and ideas you want to convey.
I tried to focus on the choices you make before you write a novel. The main character and the most important character are not always the same person — you have to know the difference. The first-person voice and the third-person voice each come with advantages and disadvantages; it helps me to know what the story is, and who the characters are, before I choose the point-of-view voice for the storytelling.
It is not necessary to break POV and give characters artificial thoughts in order to fill the reader in. In fact, good use of POV will create a deeper and fuller sense of the setting. Details like whether or not the character regards items and events as unusual or commonplace, happy or sad, fair or unfair, will be picked up by your readers
referring to a village as a "comfortable mudwalled place" tells the reader not only about the setting (primitive), but also that the point of view (POV) character feels comfortable in rustic surroundings.